This reviewer would have preferred a more commercialized approach (increasing the Maoist-angle and the Shibu- Parul romance and a crisper second half) but the makers were consciously targeting the urban audience which is commendable. Raj employs a realistic treatment to the film. The production-values, including the Kawasaki Ninja, are at par with Bollywood. Somak Mukherjee's camera presents Kolkata and the countryside in an unprecedentedly attractive avatar. And this one's special: 'Bhalobasa bhalobase sudhui take/ Bhalobese bhalobasai bedhe je rakhe'. Some emotional ones, like Shibu's message to the Maoist-leader, also strike a chord.

But N.K.Salil negates that threat with his never-ending flow of cracking, hilarious dialogues that keep the viewers thoroughly entertained. Making a road-movie is expensive but prospects of recovery are less because the masses can find the script monotonous and boring. Instead, it's cinema that's entertaining as well as thought-provoking. As a result, one neither sees melodrama or larger-than-life gimmicks, nor boring conversations or complicated narratives. But the biggest significance, is the bringing together of the very distinct worlds of parallel and mainstream Bengali cinema. While Rahul is a calm, quiet and thinking person Shibu is a carefree and talkative soul. Next reasoning could be the contrasting natures of the two male leads. While Rahul feels suffocated in Nandini's underprivileged surroundings Nandini can't accept the immorality of Rahul's elite friend-circle. The obvious one, as depicted in the film, is the status-conflict between Rahul and Nandini. The title, meaning two worlds, carries multiple significances. That was until one of the industry's most popular directors, Raj Chakraborty made 'Dui Prithibi'(2010) which was an official remake of 'Gamyam'. Yet, the concept of road-movies had been non- existent in Bengali cinema. Inspired from them, Radhakrishna Jagarlamudi directed his Telugu hit, 'Gamyam'(2008). Will they succeed in their endeavours? Review: The genre of road-movies has been well explored in Hollywood classics like 'Easy Rider'(1969) and 'Motorcycle Diaries'(2004). On the way, he is joined by a bike-thief, Shibu who has an eye on Rahul's Japanese two-wheeler. (Rated on the basis of watching in theatre in second week of release) Plot: The son of a rich businessman, Rahul undertakes a bike-journey across the rural-belt of West Bengal in search of his lost love, Nandini.

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